JI SHAULI Releases New Single “Ki LaHashem HaMelucha” [FREE DOWNLOAD]

Singer/songwriter, Shauli, has slowly made his way into the hearts of Jewish musical fans across the globe. His debut album “Simcha Belibi” released back in 2009, introduced the music world to a smooth and laid back style of music. Since then, Shauli has released 2 singles Vehi Sheamda and Ahavta Otanu, and he was featured earlier this year on the single “Shiviti”, composed by his friend,musician Avrohom Finkelstein. Shauli’s sweet guitar playing and smooth vocals abilities have captured the attention of Israeli radio stations and the staff at the Nachum Segal Network so much so, that his songs are featured regularly on the radio. During a live in studio interview with Yossi Zweig on the Z Report this past summer, Shauli revealed to his fans that a new song would be coming shortly. Well that time is finally here. Presenting the newest gem from the talented composer/singer Shauli, entitled “Ki LaHashem HaMelucha”. Shauli wrote the song after the US presidential elections earlier this year. “These words came to my lips as I heard the results, and the melody I composed in the days after, said Shauli.” The message was very clear Hashem rules the world even though Kings and Presidents think that the decisions are of their own making, we know better. The song features harmonies and additional vocals by Shauli’s brother Eli Atias and choir by Yehuda Grama, Chaim Zvi Grama, Avner Grama and Reuven Atias.

[Aneinu] Request for Tefillos

Please pray for ADA BAT BRANA today Dear Naaleh Friend, Please pray for Ada bat Brana, a woman who has been found with an undefined growth. She will be undergoing tests today, and we need all of your prayers for positive results. Please take a moment to recite the following two Psalms on her behalf: Psalm 6 and 130. May all of her tests come out clear and may she merit a full recovery. In the merit of all of Klal Yisrael davening for each other, may we merit the ultimate redemption soon. May we only hear good news, Hally Goldstein and the Naaleh family

Wednesday, February 27, 2013

JI AND JMR Sameach Music Presents: THE YESS LEGACY

THE YESS LEGACY—THE TIMELESS MUSIC OF MOSHE YESS RECREATED, REFRESHED & REIMAGINED FOR A NEW GENERATION OF FANS Recorded Jewish music can be divided into two categories The Timeless—projects that endure because the tap into an emotion and/or define a particular style or artist…eg. works by Yossele Rosenblatt, Diaspora Yeshiva Band, Mordechai Ben David’s Hineini (and according to many I’d Rather Pray Than Sing), most anything by Reb Shlomo, early D’Veykus, etc. The Timely—projects that connect because they’re the “best in class” in terms of capturing what’s ‘hot” music, song and style wise…while their hits may endure a wedding season or two…”Timely” Jewish music is a bit more of a revolving door. Every so often Jewish music fans are graced with an artist/album that achieves both…creating songs that become a permanent part of our DNA for generations while at the same time achieving a level of popularity that’s measured in terms of countries and continents…not just local communities. When describing the music of Moshe Yess the preceding becomes almost an understatement. Despite the fact Yess’s music came onto the collective consciousness in the pre email/Facebook/social everything era of the late 70’s and early 80’s, the plaintive yet powerful messages of songs like Jack Schwartz, “G-d Is Alive & Well In Jerusalem” and of course “My Zaidy” resonated with listeners throughout the world…and more importantly, still do today. Small wonder that world class performers like Abie Rottenberg, Yossie Green & 8th Day cite Yess as a major influence What made the Yess/Megama (the duet he formed with cellist Shalom Levine) dynamic even more impressive was the simplicity of their sound. They debuted at the peak of the “disco” era—when pulsating rhythms and massive horn, synth & string sections came “standard” with any album. Despite this, Yess’s decidedly “minimalist yet musical’ sound and “wise yet whimsical” made an immediate connection with listeners. As Yess was a true artist, he dedicated himself to creating new material rather than preserving his music for future generations, because of this much of his work disappeared in a commercial sense…a situation that’s about to be rectified thanks to the talents—and dedication of Gershon Veroba & Yerachmiel Ziegler the producers behind the Yess Legacy. SAMEACH MUSIC PRESENTS THE YESS LEGACY 30 SUPER TRACKS PERFORMED BY 18 SUPERSTARS—YESS AT HIS BEST FOR A NEW GENERATION

CHASSIDIC PEARLS BY RABBI LAZER BRODY PARSHAS TETZAVEH

"Into the Breastplate of Judgment shall you place the Urim and the Tumim, and they shall be on Aharon's heart when he comes before God" (Shmot 28:30). The above passage in not only confusing, but an apparent contradiction in terms as well. The Urim and Tumim were, in essence, a small piece of folded parchment with God's holy name written on it. The parchment was inserted "Into the Breastplate", as the Torah commands in the beginning of this passage. But, at the end of this passage, the Torah states that the Urim and Tumim shall be "On Aharon's heart." How can the High Priest carry the Urim and Tumim directly on his heart? Four mandatory layers of the High Priest's ritual garments – the kutonet, the cloak, the vest, and finally the breastplate, separate Aharon's heart from the Urim and Tumim! We can reconcile the apparent contradiction in this passage by proposing that the Torah is literal when requiring that the Urim and Tumim be inserted into the breastplate, but figurative when instructing that they shall be on Aharon's heart. The Torah is commanding that there nothing seperate God's holy name (Urim and Tumim) from the High Priest's heart. In other words, the High Priest must be focused completely on God; no other thoughts or musings may be in his heart to interfere with his perfect dvekus, or clinging, to God. Why is it so important that the Kohen Hagadol – the High Priest – have no other thoughts or musings in his heart while performing his duties in the Holy Temple?

Friday, February 22, 2013

[Aneinu] Please Daven

I received the following: The next few weeks are critical for NACHMAN DOVID ben BELLA. Please pray for his yeshua and having a favorable judgement. May the Purim and month of Adar overturn any bad decrees.

Wednesday, February 20, 2013

[Aneinu] Please Daven Now!

These 2 precious young people are in critical condition and need our tefilos immediately. Refael Menachem Meir ben Raizel Aidel Chaya Rivka Chana bas Devorah Laya Tizku l’mitzvos. May we see Refuos and Yeshuos.Thank you!

Tuesday, February 19, 2013

JI AND JMR g”A Verdiger Yid” – Yeedle’s new Album + Song

Work on a new album, many artists say, begins when the previous album goes to print. Today, Yeedle, one of the most prominent artists in modern Hasidic music, launches his sixth album “A Verdiger Yeedle“, a play on words with his name and Yiddish translation “Worthy Jew!” The new album is a collaboration of the elite of the Hasidic music industry. A Verdiger Yeedle boasts 12 tracks by 10 premiere composers, 8 brilliant arrangers and is produced by Yeedle himself. Ruli Ezrachi was Yeedle’s vocal producer for the album. Mixing with flavor, was done by the unparalleled Eli Lishinsky. Composers and and hosted guest duets featured on the album include; The King, Yeedle’s father Mordechai Ben David, Aaron Razel joining in a decade long production on Sos Asis, Yitzchak Fuchs who composed the passionate song Aneinu, and Yeedle debuts Boruch Sholom Blesofsky – a genius singer, composer and arranger he discovered and harnessed to the current project in Melayim Ziv, Soon and Shakul. Additional composers and arrangers include the preeminent Mona Rosenblum, Moshe Laufer, Benny Hershkowitz, Eli Laufer, R’ Shlomo Kalisch, Lazer Kalisch, Dudi Kalisch and Pinky Weber. There are many talented people whose contributions are highlighted in the album, such as Ken Burgess, Moshe Roth, Yoily Dickman. “I spent four years of my life on this album,” reveals Yeedle, “I’m glad we were able to create an album multicolored with nearly every style to cater to the requests of my listeners. Some of these melodies are musical projects that are here to stay in our homes and lives and for many years God willing.” The album will hit stores today and be available online on www.topjewishmusic.com. A video clip will be distributed shortly.

Monday, February 18, 2013

Garden of Education Education With Love by Rabbi Shalom Arush Translated by Rabbi Lazer Brody

IF YOU DID NOT GET THIS WHEN RABBI LAZER BRODY SPOKE TONIGHT PLEASE GET IT AT YOUR LOCAL BOOOKSTORE.Would you believe that it's possible to raise well-adjusted, successful and happy children without raising your voice or raising a finger on the child? Rabbi Shalom, after showing us the way to succeed in so many other areas of life such as marriage and finances, now shows us the way to success in child-rearing. His method, built around positive reinforcement and educating with love, demonstrates the proper way to establish clear boundaries without reprimanding or upsetting the child. First of all, as Rav Arush stresses throughout the book, parents must correct themselves before they correct their children. If the father is a Haman, he cannot expect to raise a Mordechai. This book is a great read, written in clear and comprehensible style. It's a must for every parent.